top of page

Wes' work as a colorist has been primarily in partnership with Deadeye Post. Color Grading is done primarily in DaVinci Resolve using dynamic HDR ACES workflow. He enjoys finding unique looks for documentary and fiction that feels modern while avoiding typical color cliches.

SELECTED COLOR CREDITS

  • Strongest at the End of the World, Dir: Ryan Abrahamson, fiction, 2025

  • Trapped, Dir: Mads Engel, documentary, 2025

  • Killer Kafe, Dir: Keith Jardine, fiction, 2025

  • The Puppetoon Movie, Dir: George Pal, animation, restoration from new 4k scans of the original 1940's negative, 2024

  • Toros Bravos: Julián Cartas, Dir: Jack LaCalle, documentary, 2024

bottom of page